Our heads are round so that thoughts can change direction.
- Francis Picabia, 1879-1953, painter and poet
Sotileza [Subtlety]
Francis Picabia, about 1928
In his biography at Picabia.com we learn:
In
response to his grandfather's prediction that color photography will eventually
replace painting, Picabia retorts, “You can photograph a landscape, but
not the forms I have in my head.” -- a fundamental theme which unifies
Picabia's aesthetic convictions, among the most heterodox of this century.
Click here to see two of his pieces at the Guggenheim Collection, Very Rare Picture Upon the Earth, 1915 and The Child Carburetor, 1919
Here is the beginning of the review of the book
Who is with me is against me.—Francis Picabia
Poet, painter, self-described funny guy, idiot, failure, pickpocket,
and anti-artist par excellence, Francis Picabia was a defining figure
in the Dada movement; indeed, Andre Breton called Picabia one of the
only "true" Dadas. Yet very little of Picabia's poetry and prose has
been translated into English, and his literary experiments have never
been the subject of close critical study. I Am a Beautiful Monster
is the first definitive edition in English of Picabia's writings,
gathering a sizable array of Picabia's poetry and prose and, most
importantly, providing a critical context for it with an extensive
introduction and detailed notes by the translator.
(Continue reading the review at MIT Press.)
This is the Avenue to Success for 02/27/10.
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